As much as I like some of the new crop of young adult fiction, I can’t help but wonder if this phenomenon isn’t just rooted in publishers being squeamish and authors being lazy. The category allows — no, encourages — writers to be less nuanced, paint with broader strokes, and, of course, avoid sexuality altogether.
Then again, the YA Fiction phenomenon may simply be symptomatic of “non-young adults” non-reading.
Jon Krakauer, Anchor Books, 2004
[Somehow un-posted, now reposted. Written 23 January 2009]
“Science flies men to the moon, religion flies airplanes into skyscrapers” goes one of the more inflammatory Atheist slogans. And indeed, this is the kind of book that inspires Atheists, convinces non-Mormons that Mormonism is a dangerous cult, and feeds into the persecution complex fostered by the Church of Latter Day Saints.
Krakauer traces the history of the Church and its founders, and shows how one path of interpretation reaches its logical conclusion in what an outsider would identify as a complete psychic break and murder. It’s disturbing, frightening, and quite readable.
Cormac McCarthy, Vintage Books, 1993.
This is one of those books that I’d had recommended by numerous people numerous times. The description of the story didn’t strike any chord with me. Then Peter read an excerpt at a Meander, and I was intrigued. I resolved to read it. And time passed.
Well, then I read it.
All The Pretty Horses‘ plot is not exceptional. In terms of structure, it’s a love story, a western, a coming-of-age story. The text lacks quotation marks, which can be challenging. And there is a fair amount of vocabulary in Spanish. So much for the mechanics.
The writing is paradoxical throughout. It’s simultaneously simple vernacular and spectacular, soaring literary magic. Nearly every paragraph contains a revelatory sentence that exposes an underlying truth about people or about the world that we barely even suspected — and yet, once revealed, we know to be absolutely correct. The descriptions of a sunset may evoke a place that we have never seen, and yet we immediately know it. A phrase in a conversation will be one we’ve never heard before, but will be intimately familiar. The story unfolds slowly, but also in a strange breathless rush.
It’s a fantastic book.
Harry Houdini, 1920, read as an etext published at manybooks.net
Houdini reveals to us his encyclopedic knowledge of the history of certain magic tricks, who performed them, where they did it, and what variations they used. He also tells us how they actually did it. You’d think it would make more compelling reading than it does, but it’s actually fairly dry.
Still, it was interesting to learn the secrets behind some of the tricks I’ve seen, such as firewalking.
